Author: Jacinta Lou

  • My Writing Journey: Successes and Future Goals for 2026

    My Writing Journey: Successes and Future Goals for 2026

    2025 has been and continues to be quite a year. In so many ways.

    On a personal level – I have had success with my writing. The highlight of course my contract with Wombat Books for two early readers.

    In addition with my adult writing I had a tribute to my Dad published in the latest Grieve Anthology. And one of my poems will be published in an upcoming anthology, Her Beauty and Her Terror.

    And, drum roll please, Jacinta Lou has appeared in print for the first time in a wonderful fundraising anthology of whimsy put together by Tasmanian author, Ann Martin.

    The Ballad of Jubal Jacques includes some of Tasmania’s best authors and illustrators. I might have to believe I’m a writer 🙂

    My stories, Aisha and the Olive Tree, and The Book are both in the style of fables and I really enjoyed writing them. The book is available on amazon and all proceeds are for refugees.

    So what is happening now? Well it’s been non stop writing and submitting. The submitting has been picture books. I live in hope I will publish one at some stage. But I’ve expanded my writing to include longer fiction for children.

    I entered a junior fiction short story into an anthology competition and I’m currently working on a young adult short story for another anthology competion.

    So next year I will continue to work on early readers and junior fiction generally and of course, picture books. But my major focus will be a young adult novel I shelved in 2021.

    I found the novel recently and I really enjoyed reading it so I think it’s worth finishing. I’m working with other kidlit novelists to hold each other accountable by setting targets. According to the schedule I have until March to complete the first draft. I’m thirty thousand words in so it feels achievable? What’s it about? Well all I will say for now is that it’s a thriller; full of mystery and intrigue!

    My goals for 2026? It will be the year I learn to build a new webpage. The year my first novel will be sent for appraisal and the year I learn all I can about marketing and school visits in preparation for my 2027 book launch.

    And like every writer, I’m also hoping for more contracts.

    2025 has been a challenging year for children around the world being subjected to hardships and danger no child should endure and if I could give those children one gift, it would be hope.

    Hope for humanity and hope for a peaceful and just future.

    I’m deciding to go forward into 2026 with hope!

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  • Celebrating My First Book Contract: A Writer’s Journey & Imposter Syndrome.

    Celebrating My First Book Contract: A Writer’s Journey & Imposter Syndrome.

    This week I was thrilled to announce I have a two book contract with Wombat books. Two early readers and I am absolutely thrilled. So thrilled and excited I have plastered the internet with the news. I may have gone a bit over board ?

    As writers we work alone. Writing, editing and thinking. Most of the work we create never sees the light of day. Dealing with rejection becomes a way of life. It can feel like a waste of time. I’m sure from the outside it looks like it. But writing is not just a calling. It’s a craft. A skill. And like any skill it requires practice.

    For the last few years I have been writing picture books. I have had success by being awarded an ASA/CA mentorship in 2024. I was also matched in the ASA’s Picture Book Matchmaker. My pitch resulted in a request from the publisher to see the manuscript. To date, there have been no contracts. Yet.

    So when I decided to enter my first attempt at an early reader into Wombat Books open submission in February this year, I did so with zero expectations.

    You can imagine my shock when they asked to see the manuscript!

    Months of rewrites followed and creating another book for the series, and I was offered a contract.

    Throughout the process I felt like the success of this story was unearned. It was my first attempt at an early reader. I had completed several junior fiction courses but hadn’t made it happen. I felt like an imposter.

    Imposter syndrome strikes again. And this is why we have writing groups. ( imposter or impostor? Both are correct so for consistancy on my blog I choose imposter! Despite AI underlining it. I choose to ignore AI)

    Without my kidlit community I wouldn’t have submitted this story. Without my fabulous critique buddies I would have given up on the edits and rewrites. Without their support and encouragement I would have failed to see that all my work on picture books had been the rehearsal for this moment. And without the perseverance of Wombat Books to get me over the line, I wouldn’t have made it.

    So even though we create in solitude – we succeed as a community!

    That’s why I have plastered the internet with my success. Not just for me, but for all the kidlit community.

    I promised myself a new website with my first contract so stay tuned while I try to make that a reality.

    I can’t wait to hold my books in my hands!

    Stand by for even MORE plastering of the internet!

    Thank you

    Jacinta Lou

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  • Getting on With Things

    Getting on With Things

    I don’t usually post twice in a day but I’m trying to learn how to use my website so here is another post!

    It’s been quite a year and I think I am closer to my publishing goal. I’ve been making slow and steady progress. In 2022, I joined groups and completed courses. In 2023, labelled by me as my ‘year of assessments’, I had lots of my stories assessed and ended the year with a successful pitch at the ASA literary speed dating event.

    In 2024, my year of mentoring, I was fortunate to be awarded a mentorship by the Australian Society of Authors/Copyright Agency for one of my picture books and I have been working with my mentor Kristina Shulz.

    At CYA my assessments went well and I’m seeing the improvement in my writing and in my confidence. My old friend, imposter syndrome, is still lurking in the wings, but having Kristina’s support has helped me believe in myself as a writer.

    One highlight this year was being long listed in the annual ‘Pitch It’ competition, so this morning I submitted that story to Affirm Press.

    I hate submitting, but it’s impossible to get published without going through the process, unless you publish the book yourself.

    I can barely get around social media and this webpage so I know I do not have the skill or patience to self publish, which leaves me throwing my hat in the ring for a shot at a traditional publishing contract.

    I’m enjoying rewriting and restructuring my stories, so the waiting and wondering isn’t too onerous, but like all aspiring writers, I can’t wait to get on with the job of publishing my stories.

    The kidlit community is a wonderful, supportive community. I have a fabulous critique group and other writer friends to chat to both online and locally. Everyone knows how hard it is to get a contract and we all cheer loudly when someone is successful. We are all a part of each other’s journeys even if it’s just to cheer!

    If I never get a contract, being a part of this community is worth it in itself, but I would really love to see one of many stories in print and see how an illustrator interprets my words.

    Fingers crossed 2025 is my year of contracts!

    You will be the first to know!

      • Adding to the Clan

        Adding to the Clan

        Our alpaca family reduced to two alpacas. Bella, a rescued alpaca from the equivalent of a ‘puppy farm’ for alpacas who is getting on in years, and Tilly, who we have had for the last two years from when he was a Cria. Sadly, they don’t get on, which is not ideal for herd animals, so we were on the lookout.

        Brightside Animal Sanctuary advertised they needed to re-home alpacas and invited applications and now we have five more alpacas chomping on grass and filling our hearts with love.

        Our new herd, a group of four with a similar background to Bella and a little surrendered alpaca, made themselves at home. Tilly was so excited. More alpacas to play with. Bella walked down from her hill and sniffed them and then retreated to the furthermost corner of the paddock. She was having none of it. Over the last couple of weeks she has softened her stance and now almost mixes with the new herd. Tilly gets confused as his loyalty was to Bella and he wasn’t sure who was boss. I think it’s Bella, but we let him think it’s him. The two herds are almost one. Almost.

        I just visited and they are now leaving Tilly out on his own. Or perhaps he is leaving himself out. He has always been a little on the skittish side, so perhaps too many confidant alpacas are more than he can cope with. I’m sure he will be back in the herd soon.

        It’s been interesting watching the politics play out. We think two of the newcomers are gelded males, but other than a bit of spitting from Bella and long stares with ears back and tails up from the other two geldings, they have been very gentle with each other. I’ve almost got one of the new ones to eat from a bucket I’m holding. Little steps.

        So the other news since the last post concerns the two new chickens. Turns out they were both roosters, so we had to get earmuffs to sleep while we sorted out their fate. Fortunately, we found someone who wanted a rooster to protect his chooks, and since ours was a bonded pair who had sorted out who was the alpha rooster, he was happy to take both. I didn’t want them to have to become anyone’s dinner.

        One of Rex’s chooks took herself into the bush to build a nest. Every day, she would come back for food and water and every day, while she was a way, a currawong raided her nest. Sadly, she didn’t protect any of her eggs, so she is back home alone. She has a very safe nesting box, so I’m not sure why she went bush. Hopefully she will stay home next year and protect her eggs.

        Throughout spring, the currawongs have been raiding the chook pens for scraps and the occasional egg. I watched one carry an egg in his beak for about twenty minutes, walking around the yard looking for a rock to open his prize. Eventually, he flew up to a post and then tossed it onto the ground. That’s one way to break an egg.

        Watching the birds and the animals is a great way to spend time and I have lots of ideas for picture books, but unless I sit down and write them, all they will be is ideas so it’s back to the computer for me after I just take one more walk to visit the alpacas!

        1. Jacinta Lou's avatar
        2. Julia Miller's avatar
        3. Jacinta Lou's avatar
        4. Julia Miller's avatar

          It’s great to here your news both good and difficult. Keep writing keep caring and look after that rooster!

        5. Treechange Life's avatar

        My Writing Journey: Successes and Future Goals for 2026

        2025 has been and continues to be quite a year. In so many ways. On a personal level – I have had success with my writing. The highlight of course my contract with Wombat Books for two early readers. In addition with my adult writing I had a tribute to my Dad published in the…

        Getting on With Things

        I don’t usually post twice in a day but I’m trying to learn how to use my website so here is another post! It’s been quite a year and I think I am closer to my publishing goal. I’ve been making slow and steady progress. In 2022, I joined groups and completed courses. In 2023,…

      • It’s Been a Minute

        It’s Been a Minute

        It’s been quite a while since I have posted. I have written a few entries but I didn’t post them. So here is a short recap of the last few months.

        There have been a couple of huge highlights. The first was matching with Scholastic in my ASA Literary Speed Dating round. It meant I was invited to send the manuscript I pitched to them. It was so exciting and I can tell you; I had everything crossed.

        The second big thing was being awarded an Australian Society of Authors/Copyright Agency mentorship for 2024. This is a very big deal, and I have been dancing ever since.

        Both things involved the same manuscript. Scholastic decided not to offer me a contract but now I have twenty hours of mentoring to get it to a standard. Someone will say ‘yes’ to publishing it one day. That’s the dream.

        In the meantime, I’ve booked assessments at CYA with this and other manuscripts so still moving forward.

        Now for the low points. The lowest point was finding Rex, our rooster, quite lame. Everyone was away, and I had no idea how to help him. He is huge and has massive spurs. I rounded him up into a small enclosure so he couldn’t move around and set him up with his favourite seeds and some water.

        Neighbours suggested I have him prepared for the pot, but I could never do that to a pet, so I googled his likelihood of recovery and decided my course of action was the best way forward. It lasted a day or so until Rex was so stressed worrying about his hens, he broke out and dragged himself to where he could see them. So we had to lock them all up to stop him from moving.

        You don’t realise how noisy roosters are until they stop chatting and crowing. And I didn’t realise how attached I was to this gorgeous bird until I contemplated life without him.

        And that brings me to the other low point. What is happening in Palestine. My author Instagram was the first to alert me to what was happening to the children of Gaza and I agreed with the thoughts of other kidlit creators; If you write for kids, fight for kids. And I have put most of my energy into keeping informed, researching the history, writing to politicians and advocating for the children caught up in this horrendous situation. I have also written stories inspired by my thoughts and one will be published in a fundraising anthology later this year.

        It is all-consuming, but unlike the people in Palestine, we can take a break. We can look at the beauty in our world with new gratitude and use that energy to fight harder.

        I have thought a lot about why some of us are born to relative freedom and others to ongoing hardship. It isn’t fair. But what I have noticed is the resilience and resourcefulness of the Palestinians. If bombs were dropping on me, I’d be hiding in a corner quivering. But the people of Gaza get on with life as best they can. They value life and each other. Perhaps knowing it might be a short life does that?

        And back to Rex. Every afternoon I walk up to his enclosure and when he sees me, he gathers his chickens and they run up to meet me, knowing they are going to get some supper while I secure their gate.

        I don’t know if you have seen a rooster run, or had a chat while you get his food, but it is impossible to be sad when you see a rooster run.

        So Rex became my way to keep balance; to keep grounded; to keep sane. So the thought of losing him was almost more than I could cope with.

        The tears I cried for almost a day were not about him. They were the locked up emotions I hadn’t allowed myself to express. But they needed to be expressed.

        Advocating for children has inspired me to keep writing. My stories have always centred on breaking down barriers. The story I will be working on in my mentorship is about starting conversations about othering. Breaking down barriers before they occur. Questioning the status quo. The importance of finding things in common.

        I hope one of my stories gets noticed soon. I have promised myself I will pay to have my website upgraded from my feeble attempts. But in the meantime. Here is my blog 🙂

        Oh, and great news. Rex started to walk again and is crowing and chatting and he has even started running. And he is a dad to two enormous chickens.

      • Speed Dating – the literary kind!

        Speed Dating – the literary kind!

        This year I’ve devoted my energy to having my writing assessed and working on improving my craft. Writing is a craft. Writing picture books is a craft I am still working on. Those deceptively simple texts require so much work. Each word has to earn its place. Each story has to impress a publisher, get through their acquisitions process and ultimately be something people will buy.

        Even if you get the story right, it might not fit with what publishers are looking for. Maybe you sent it to the wrong publisher and it doesn’t fit their brand. Maybe it just doesn’t pop enough for a yes. So many reasons it might not be accepted that have nothing to do with how well you write. Things you can’t control. But writing is within your control and so this year I have had assessments with editors and at CYA. I’ve entered competitions. I’ve worked on writing short stories and poems for children. I’ve participated in critique groups. All with the goal of improving my writing.

        But have I done enough?

        Back to speed dating. No, not that kind. Who has the time? I honestly can’t remember the last time I went on a date, speedy or otherwise. But that is a story for another time…maybe 🙂

        Literary speed dating is run by the Australian Society of Authors, ASA, and they run several rounds each year. This round I was lucky enough to get two spots and now I’m preparing my three minute pitches to two publishing houses.

        I say lucky because the system crashed and I think I was so lucky to catch a window when the system was working. I don’t think I would get through otherwise. I’m slow on a keyboard!

        I’ll have three minutes to demonstrate to the publishers my story is worth a look! Three minutes to sell my story!

        I’m nervous but excited. I have done all I can to be ready and the rest is down to if they want to read my story. and that is down to how well I pitch!

        I’m still fiddling around with the pitch. That’s another skill I’ve been learning. I’ve organised some of my critique partners to listen so I can practice. It’s exciting.

        And absolutely terrifying!

        I’m pitching a story I haven’t released into the world yet so they will get first look if I pitch well enough.

        If they like my pitch, if it fits their brand and if they want to know more, they will ask for the manuscript. If not I will start sending it out to other publishers. It’s a story I’m quite passionate about so I will keep trying.

        You never know where a Yes will come from. It might come from a story found in the slush pile. It might come from a CYA assessment. Or it might come from three minutes spent pitching to publishers through ASA’s Literary Speed Dating.

        I’ll keep working and hoping one day it will be a YES.

        Watch this space!

      • Would you like AI with that?

        Would you like AI with that?

        I feel like I can’t spend a day without some AI bot asking me if I need help. Well, I do need help! But sadly they won’t do the washing, feed the animals or change the sheets so I can just write. They would rather DO the writing! But that’s my job…isn’t it?

        It sounded like a bit of fun with new technology a few months ago, but, as they say, things are getting real. So what does that mean for aspiring creators? What does it mean for everyone?

        I’m old enough to remember when automatic teller machines were being proposed. I worked in my first job at the Reserve Bank in the clearing house, and on slow days we spent time chatting and we couldn’t imagine a world where tellers would be replaced. Just shows how limited our imaginations were.

        The clearing house was where cheques came to be sorted to be returned to their bank of origin. It was labour intensive, quite boring work, but it was how it was done. We would manually sort the cheques, then process them through a wiz bang sorting machine, make sure everything tallied. Then I would pack them in suitcases and carry them, with a guard, to the clearing house up stairs at the National Bank. Once there, we would swap our bundles and compare tallies and then take our own cheques back to our bank. That’s why it took so long for cheques to be cleared. It was manual work.

        That job no longer exists. Eight floors of the Reserve Bank in Hobart are no longer part of the bank and the clearing house? I think that disappeared in the late eighties. Technology made those jobs redundant and so those jobs went the way of other labour intensive jobs. I remember when my manager at the Commonwealth Employment Service lost his assistant. With a computer on his desk, it was more efficient for him to write his own correspondence. We did chuckle at the brevity of memos, sans capitals and punctuation, as a man who had never typed faced the reality of his new world.

        Jobs have been disappearing as technology takes over, but should it apply to human creativity? Is this a step too far?

        I read recently the creators of AI harvested the works of our most amazing creators to ‘teach’ AI how to write. Did they ask? No. Did they pay? No. Did they in any way honour the legal and moral copyright of lifetimes of incredibly hard work? No, they did not and legal action is being taken!

        It’s made me so angry that the creators of AI, who no doubt trademark and legally protect their programming, have completely ignored and disrespected the legal and moral rights of other creators!

        But where does that leave the aspiring writer, like myself? Is there any point? Well I say YES and I say it loudly. Writing comes from the soul and every writer is compelled to write. It’s part of them. Can AI do it better? Probably better than me, but should we let it?

        I can see the copyright notice in books changing to exclude being used for AI. Amazon has differentiated between AI produced and AI assisted. But do we need to do more? Or have we left it too late?

        Personally I think governments need to legislate to include humanity clauses, conferences and input before any new AI products are licensed but is that even enough? Creators are low paid, and therefore lack the power of huge tech companies. The future looks grim, but we can help.

        Buy books and art work you know was produced by people. Refuse to buy AI produced ‘fiction’ and ‘art’.

        There is a place for AI. It’s a great assistant. We have come too far to go back but we can choose how much it impacts our lives.

        AI could build me a website. I do lack in that department. But I promised myself the reward of paying a human to do it when I get my first contract and I’m sticking to that.

        So when the next bot asks me, ‘Do you want AI with that?’ My answer will be, no thanks. I’ll struggle on without it. The work, perfecting craft, learning new skills, is the soul of the journey. And creating IS a journey, not a destination.

        How will AI help or hinder your life?

      • Time to go on! – Submission ‘Stage Fright!’

        Time to go on! – Submission ‘Stage Fright!’

        Like most writers, I started writing books for children when my children were small. I’ve lost all trace of anything written back then, but I still have some scribblings I did for my eldest granddaughter, which I may resurrect at some stage.

        In 2021, I did a picture writing course with Zanni Louise through the Australian Writers Centre and I fell in love. I did another course in 2022 through The Sunshine House, and I sent out a couple of stories to the crashingly loud sound of silence!

        I have been active in critiques groups and the kidlit community, so I decided 2023 was the year of assessments. Time to get my existing stories into shape to send out into the world. Or to shelve them. I had assessments with editors and of course, CYA. It’s been hectic!

        So here I am in the closing scenes of 2023 getting ready to send my stories out into the world of publishers!

        I still don’t think they are ready and I’ve heard stories of writers who have taken decades to write the perfect story, but I’m not sure I have that amount of time, so ready or not, here they come!

        I have zero expectations, but it was my plan to have stories to send out, so I’m sticking to the plan!

        I belong to a couple of fabulous critique groups and one in particular has a very encouraging cheer leader who brings us along with her enthusiasm. Yes! We can do this! Eeek – I hope at least one of us has success. That’s the best thing about writing for children. Although we all strive for the same thing, there is no sense of competition and we genuinely celebrate other writer’s success. Well, maybe there is a little disappointment, but we are mostly very excited for every writer who succeeds!

        So, in the past week, I have entered two stories to ‘Pitch it’, run by Just Write for Kids Australia, yesterday I was successful in booking two spots in the Australian Society of Author’s Literary Speed dating, to be held later in October and I sent a story out to a publisher! Tomorrow I’ll be sending out more stories and then I will start work on my next batch, patiently waiting in the wings, to get them ready to go out into the world!

        I’m not great at sending things out. I seem to get ‘stage fright’ once I know I am writing a submission and I stutter and stammer and write ridiculous things in my cover letters. Well I did last year. I cringe thinking about it. But in my defence, I did have pneumonia, so everything made perfect sense at the time. And why is it, typos and repeated words etc ONLY become visible AFTER you hit send?

        It’s been a year, so hopefully there have been so many submissions, commissioning editors will have forgotten me. Please let them forget!

        So, I’m on track. My babies are going out into the big wide world of publishing and I wish them every success in finding a home. I will welcome them back at any time, but I may push them out somewhere else and give them the best chance. I really don’t want them to be homeless.

        Now to work out how to conquer ‘submission stage fright’ and write great covering letters! Ironically, I have never experienced actual stage fright. Perhaps writing means more to me 🙂

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      • Automatic to Manual

        Automatic to Manual

        I recently had to replace my car. I loved my X-Trail. I loved the number of cup holders, the storage space for all my bits, the comfy seats – if only the head gasket hadn’t blown. So now I have a much earlier model Honda CRV. It only has one cup holder, no compartments for all my bits and the seats are not as comfy, but unlike the X-Trail – it goes! Which is, after all, all you really want from a car. Also, unlike the X-Trail – it’s a manual!

        I learnt to drive in a manual. I had a 1956 Morris Minor bought with the money I saved working at the neighbour’s fish and chip shop my last couple of years of high school. I also had a 1975 Ford Escort van so I had something to drive and sleep in, when the Morris was being repaired. The thing with the Morris, and most early model cars, was there was no synch in first gear. Which meant you had to stop the car to go back into first. For those of you who have always driven automatics, just skim past.

        So on the day I went for my licence, I drove through Hobart peak hour traffic in second gear without ever going back to first for stops and starts. My father was in the back trying to nudge me to let me know, while the testing officer was completely oblivious. He had just won lotto. His mood was not going to be changed by my driving. I’m not sure I deserved my licence and to this day, I have never claimed to be a good driver. Not one single individual will argue the opposite!

        In the Army, I had to learn to drive land rovers and commodores! I didn’t apply to join Transport and drive trucks and no one suggested I go there, but for a few months I was the Commanding Officer’s driver. This was supposed to involve driving him around, but he insisted on driving most of the time, once we got outside the gates. I enjoyed driving back then. I drove the retiring RSM from Wodonga Vic to Perth WA in his land rover, towing a caravan and I drove from Melbourne to Townsville in my Escort van to take up my new post. I was a teenager. I knew no fear!

        To obtain my police driver’s licence so I could drive the cars with the flashing blue lights, I had to learn to drive all over again. I loved the skid pan. I think the point was to control the skid but I loved making the car skid harder. I was eventually granted a ‘D’ grade licence. I didn’t actually cause any accidents so they reluctantly passed me.

        Anyway – back to now and back to driving a manual car after twenty years in an automatic. It’s been a challenge. The biggest challenge has been remembering which gear I am in. I’ve crunched through a few trying to work it out but it just means I have to pay attention. And that made me reflect on how little attention I had paid to my driving when in an automatic. I just pushed the pedal and drove!

        I’m not a person who excels at automatic tasks. even typing, my brain keeps getting involved and trips me up. Back to the police academy and the list of things we had to achieve to graduate. One of them was to touch type at 30 words a minute. Some in our class could type three times that with ease but I struggled. Remember this was on a typewriter! On the rare occasion I just reacted and cut out the middle man, my fingers and eyes managed to get to the magical 30, but most of the time as soon as my brain realised things were happening without its involvement, fingers hit wrong keys or forgot where they were and the test failed. If only I could just type without thinking! But driving without thinking I achieved and I’m not sure that’s a good thing.

        At the police academy, we had to do a running commentary as we drove to ensure our brain was always present and so were we. How many of us are truly present when we are driving? How far ahead do you look? Are you watching to see if that driver coming out into traffic has seen you? Have you estimated how likely it is that the light will turn red before you reach it? What’s happening behind you? Have you looked?So much to think about but how many of us do it?

        So the point of this rather convoluted journey down memory lane is that going back to driving a manual has forced me to be present when I’m driving, if only so I can remember what gear I am in. Am I in fifth or third? If I go back and across will it be fourth or second? Driving is no longer an automatic task and I’m sure that’s the way it should be.

        The same with writing. I can and do sit down and write without thinking. These blog posts are more or less an automatic response to a prompt I have given myself and I just write what comes into my mind. Automatic. It’s ok. Most of the time it makes sense. It might even be entertaining but is it great writing?

        Writing is what happens when you switch off the automatic and go into manual. What gear am I in? Does this sentence belong here? Have I built up tension or can I go back to third? What’s this character even doing in my story? Do I need them? What is their role? Do I need to slow things down or speed up to reach the top? Writing requires the writer to be present and know which vehicle is being driven, in what gear and at what speed. The writer needs to be able to see what is coming and take the reader with them, not leave them on the side of the road waiting for an uber.

        Writing, like driving, requires skill and the ability to know where you are going and how to get there. It may be fun to stay in automatic and just write, just drive, but if you want to write things people will love to read, you need to go back to manual and keep working on the craft and skill that is writing!

        I’m still working on it:-)

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